August 22, 2009

The Salton Sea (2002)

Val Kilmer seems to have taken about a year and a half off of movie making. Presumably, he spent that time traveling back from Mars. In his next feature, a skillfully presented film noir, he plays a mohawked speed freak named Danny Boyle. I'm not going to do a spoiler alert for this movie because it's actually really good and I would recommend seeing it. Suffice to say that Kilmer's character wasn't born looking like this:
He had an awful experience on a trip with his young wife to the Salton Sea. See, he used to be a jazz musician. A whiteboy trumpet player of some talent. Then fate handed him a shitty hand and he's been sulking about it and taking a bunch of meth ever since. He's also narcing on dealers to a couple of rough cops. Looks like he's in a pretty bad downward spiral of self destruction... or is he? This movie does a pretty a good job of handling some modern takes of the film noir style. Yes it opens near what you will eventually see to be just about the end, but he's more of the detective as a drug addict than the detectives he's working with. It's a good turn in what has otherwise been a string of missed chances for our boy Val.

August 12, 2009

Red Planet (2000)

Here's the thing about "Red Planet:" once you get over the fact that it's an impossibly absurd and insane premise, even by sci-fi standards, it's not that bad of a movie. Like all good sci-fi, the lesson is not really about the future, it's about the present. Specifically, it's a pleas for environmental sustainability. In "Red Planet," the Earth of the future has been overpopulated and polluted to the point that the human race is in danger of wiping itself out. So, since the entire world had known about this for quite a while but never bothered to actually institute any social policies that could save the planet, it was decided by the world's governments (ha! the UN?) to start blasting big clumps of algae at Mars in the hopes that it would turn into an atmosphere capable of supporting life. The small cast of "Red Planet" is some specialty crew sent on a mission to make sure everything's in good blooming order up there.

There are eight crew members, led by the hardass captain, Trinity err... Carrie Ann Moss? Our hero, Val Kilmer, plays Gallagher, not the one you're thinking of though:He's basically the ship's mechanic. Like all strong women commanding officers in sci-fi, Carrie Ann Moss sleeps with Kilmer's character with little prompting. When an inconvenient solar flare fucks up the mothership, everybody but Trinity bails in their little launch ship to go down to the hopefully now partially habitable Mars surface. Trinity manages not to die, but just about everyone else will (spoiler alert). So the old philosopher with no real purpose on the space mission gets fucked up in the landing and croaks soon after. Everyone else is freaking out because they've got to get to this distant base but they're running out of air. Also, all that algae that was supposed to be making a new atmosphere is missing. Stuck on Mars with little hope of breathing for long. That's trouble. For some unexplained reason, two of the crew members hate each other and one of them pushes the other, I forget which, off a cliff. Now they get to the base, but whaaaa? It's all shredded. Like some big paranormal event came through and ripped it pieces. All the air's gone. All the food's gone. They're in some deep shit. Their air is no critically low and they start suffocating in their suits. Then, in the biggest leap of plot I've seen in a long time, Kilmer takes his mask off and he can breathe despite the lack of algae or other materials that might give them air.

Okay, stop to consider that. They can breathe but it's still a lifeless 'red planet.' So now they've got to figure out how to get back. They decide that they're going to use this old soviet rocket that's stuck there a couple miles away. They start making their way there and almost freeze to death at night. Some big storm rolls through. Also, Kilmer's pet robot goes berserk and is skillfully hunting and trying to kill them. It gets the bad guy. Ugh... There's so much to tell!

So we're down to two of the astronauts trying to get to the cosmonautical rocket. Kilmer and fate's enemy Tom Sizemore, when all of a sudden, we see the algae (hooray!) being devoured by a swarm of space roaches that obviously at their base and end up eating Tom Sizemore (booo!). This is a strange interpretation of Martians. They're like bugs that apparently love to eat everything that's not the inorganic surface of Mars. But they're flammable. Oh, and they somehow excrete oxygen which is why the cast can breathe without space suits. There's a showdown between the robot, Kilmer and the bugs. Kilmer blasts off. Earth is far from saved.

This actually was not that good of a movie now that I've written this all out.

July 20, 2009

Pollock (2000)

This well received biopic is about the famous 20th century American painter, Jackson Pollock. This being the internet and all, I'm not too sure how familiar you may be with famous modern painters, so for the uninitiated, Jackson Pollock caused quite a stir by making a lot of nice new modern art that consisted of dripping paint onto the canvas.He made a lot of them and for a time they were really popular. Then they were not that popular anymore because the art world is full of fickle pretentious assholes who always turn on a scene if it starts to get too cool, accessible, or successful for them. Anyway, Jackson Pollock drank himself right into a fatal car crash. Vrooooooooooom! Kilmer reprises his masterful Dutch accent that he picked up in "The Saint" to briefly appear onscreen as Willem de Kooning, another popular post-war abstract artist. De Kooning is known mostly for his weird depictions of women:
Oh yeah, he was pretty out there:
Kilmer's in this movie for like two minutes. Moving on.

Joe the King (1999)

I had never heard of this movie until I started The Kilmer Project. It was my hope that it would be a period piece about King Joseph I of Portugal, but alas, it is not. I'm still waiting, Hollywood! No, this is a story about a poor family in what, I'm judging from the accents, is supposed to be Long Island. The Joe they're talking about would be Val Kilmer's troubled and troublesome son. Kilmer plays Joe's hard drinking, deep in debt to fucking everyone, abusive janitor of a dad. The story is really about Joe and how a series of little crimes, like stealing food, spiral completely out of hand until this little preteen is pulling major heists.

He gets busted by Ethan Hawke, his guidance councelor who definitely did not deserve prominent billing in the credits since he had like two minutes of screentime. This extended trailer is a pretty complete retelling of the whole movie:



Anyway, the main thing to take away from this is that Val Kilmer gained a bunch of weight to play this role which was probably a mistake because even though he performs admirably in a difficult role, all that weight went to his gut and I don't think he's ever gotten rid of it.

May 31, 2009

At First Sight (1999)

Our hero finds himself walking the chick flick route in this absurdly premised piece of late 90s nonsense that's apparently based on a true story. Kilmer's character is just like every other adorable, softspoken, hockey playing, blind professional masseuse in a small upstate New York spa town, named Virgil. He smiles awkwardly throughout the whole movie. The story begins when he meets a nice new girl, who is a fancy uptight city dweller played by Mira Sorvino. She goes to the spa out in the country to take a break from her high pressure career as an architect or something. She gets a little crush on the massuese only to realize halfway through a conversation "Oh fuck! He's blind!" Kilmer's smiley Virgil goes home and brags to his seeing eye dog about the new girl he met (really). Very presumptuous on his part, but he's not wrong, she comes back to pursue this gentle, smiley fellow in earnest.

The course of the romance in "At First Sight" seems puritanically slow moving. They kiss and fool around a bit and she's inviting him to move in with her in the city. Then she discovers an ad for an optomologist who swears he can restore Virgil's shattered vision. Virgil throws a goddman passive aggressive hissy fit at this. His creepily overprotective sister let's Mira Sorvino know that he's gone through a bunch of procedures back in the day that all hurt really bad. Doctor Nathan Lane gets all lasik on his peepers and before you know it, he's restored. But he doesn't know what seeing is all about so he loses his shit! He starts freaking out bigtime and it's way overdramatically executed.

Oh, so the love interest's architecture firm consists of Kilmer's girl and her ex-husband. So, that's not awkward at all. Kilmer has a really hard time adjusting to the whole 'sighted culture' stuff but eventually he starts getting the hang of it. Mira Sorvino doesn't like him so much now that he's basically just another dude without a disability to make him seem idioscyncratic and exotic. Plus she gets really impatient with teaching him a bunch of seemingly obvious things that would be really hard for someone who had never seen anything before to comprehend. She's kind of a bitch. She starts straying and has a totally weird kiss with her ex. Tisk tisk.

So it's kind of a mixed bag for ol' Virgil. Sure he can see, but all he's really seeing is his relationship fall apart. Then things take a turn for the worse. In a twist right out of Flowers for Algernon, his vision starts to fall apart. (Spoiler alert): Pretty soon he's back to being really blind but still living in New York and helping out other blind folk. Eventually Mira Sorvino decides she loves him and wants to be with him again since he's back to being blind and exotic. She's presumably no less of a bitch but he agrees. True love conquers all.

Prince of Egypt (1998)

Val Kilmer plays a cartoon Moses. Yes, Moses. Also, God. There is of course a part in the biblical story of the Exodus where God talks to Moses. This is Kilmer talking to himself. The movie has a totally star studded cast for no good reason. Sandra Bullock? Really? For brevity's sake and to keep the blog moving I'm totally skimping on this entry. Whatever.

The Saint (1997)

Sorry for the delays in updating. Blogging is hard. To get pack on track I'm going to give some abbreviated posts for the past couple flicks.

The Saint is the story of an orphan kid who grew up in a really rough orphanage. The strict ass nuns force them to take the names of Catholic saints, so our future hero gets named Simon. His first girlfriend accidentally gets tossed off a balcony to her death while he was showing off his lockpicking skills. This obviously sours his experiences with Catholocism and maybe even morality when he grows up and turns into Val Kilmer. Dude turns criminal. Straight up master theft criminal. Straight up master of disguise criminal. Straight up vocal stylist criminal. You get the idea.

The story has quickly jumped to his adult years where he's ripping off the Russian mob. Read that sentence again. Yes, he's trying to be a cat-burglar to the most dangerous criminal organization around. Smart. So master thief Simon Templar (as in the Teutonic order!) blows this robbery.

There's a high stakes target he needs to rob from that the Russians are also after. It's Elizabeth Shue. She's developed cold fusion and apparently it's quite lucrative. She's got the formula written on notes that she keeps in her bra. Our hero, of course, gets her out of that with a bad costume as a professor of some sort that reminds her of her ex. Unfortunately, our professional thief makes the predictable mistake of falling in love with her.

Kilmer is downright terrible with some of these accents. I can't understand why they wouldn't spend a little extra on a decent speech coach.

The Russians are after them, they're in love, he's a master of disguise and a hugely successful con artist. This is how my parents met too. They get away, happy ever after the end. Boom!

Alright, blog. Just a couple more to go until I'm caught up!